I believe we made a small margin of difference. As I say its totally dependent on your ears. without our changes), and this gives me some comfort that we were right.
I have read some forum comments stating the that the European CDs are better than the early US counterparts (which would have possibly used these original "masters" I was sent i.e. Frankly the studio time and the work we did wasn't authorised by anyone at RCA - and I went quietly beyond my remit but Ben and I felt that we could improve on what we had been given to work with. This just wasn't done back then and the label wanted to simply push on.
Nowadays the mastering/studio work would be commissioned from Tony Visconti and Ken Scott and the other producers of the original works.
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